The Museum rode the crest of a cultural wave - we were a part of the ascendence of weirdness, and the mainstream embrace of the culture of curiosity.

That line is from a eulogy written to honor the Morbid Anatomy Museum in Brooklyn, New York, which closed its doors earlier this month after two-and-a-half years in operation. While it may seem redundant to eulogize a museum of all things dead, those who visited it will miss the exhibits on taxidermy, anatomy, rituals of death and mourning and the like.

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The Morbid Anatomy Museum in better times

What killed the Morbid Anatomy Museum? The same thing that kills so many good ideas … money, or more specifically, the lack of it. Founder and CEO Tracy Hurley Martin made an appeal on the blog, Facebook and elsewhere in late November to raise $75,000 quickly, but $8,000 in two weeks was not quick enough.

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The Kittens’ Tea and Croquet Party; Late Nineteenth Century by Victorian taxidermist Walter Potter

Let's face facts: there are not a lot of grant programs for 'death and beauty,' and there is no major philanthropic foundation dedicated to 'the celebration of artifacts, histories and ideas that fall between the cracks of high and low culture.

Museum co-founder Joanna Ebenstein says she was a kid who liked dead animals and once received a taxidermy kit for a gift. (Seeing that under the Christmas tree must have mortified the family dog). Her interest became a career as she managed the Morbid Anatomy Library and Morbid Anatomy blog and lectured on all things morbid. A Halloween talk brought her in contact with equally morbid twins,  Tonya and Tracy Hurley Martin, who joined forces, raised money and opened the museum in 2014 in a former nightclub.

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A holiday display of two-headed chicks at the museum

The opening exhibition was “The Art of Mourning,” featuring over 90 related objects such as memorial photographs, Victorian hair art, mourning china and death masks. Past exhibits included "Do The Spirits Return?" – a study of magician Harry Thurston and magic’s link to spiritualism; "Taxidermy: Art, Science & Immortality" – rare preserved animals from private collections; and "Opus Hypnagogia: Sacred Spaces of the Visionary and Vernacular" – an art exhibit on Hypnagogia – defined as “the experience of the transitional state from wakefulness to sleep: the hypnagogic state of consciousness, when mental phenomena such as lucid dreaming, hallucinations, and sleep paralysis occur.”

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A depiction of hypnagogia

Unfortunately, it’s too late to see any of those interesting exhibits now. The Morbid Anatomy Library will probably return to Joanna Ebenstein’s safekeeping. The museum’s website is still up, as is the blog and the Facebook page. As for the future, the only things certain for the former curators of the Morbid Anatomy Museum are death (obviously), back taxes and a suitably morbid-sounding promise:

Thank you again, to our many friends, collaborators, and stakeholders. We don’t yet know what comes next, but we’ll look forward to seeing you on the other side of this.

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Who's going to move all of this stuff to the other side?

Paul Seaburn

Paul Seaburn is the editor at Mysterious Universe and its most prolific writer. He’s written for TV shows such as "The Tonight Show", "Politically Incorrect" and an award-winning children’s program. He's been published in “The New York Times" and "Huffington Post” and has co-authored numerous collections of trivia, puzzles and humor. His “What in the World!” podcast is a fun look at the latest weird and paranormal news, strange sports stories and odd trivia. Paul likes to add a bit of humor to each MU post he crafts. After all, the mysterious doesn't always have to be serious.

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