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Ancient Chariots of Alien Gods: The Great Vimana Controversy

The ancient Hindu epics are rife with tales of the strange and fantastic. Elements described within consist of elaborate tales of massive wars, superheroes, and gods that walk alongside common mortals. And yet, perhaps no subject hailing from the Sanskrit fables has captured the minds of ancient mystery proponents better than the flying vehicles of ancient India, known today as vimanas.

Vimanas are, without question, mentioned throughout many of the ancient Vedic texts, proving they certainly are not a concept that originates entirely from recent times; but if not sophisticated avionics of the modern variety, what then might they have been? Could it be possible that some elements regarding the vimana mystery–specifically our interpretation of these objects as technologically advanced aircraft that existed in ancient India–could be a result of our own desire to superimpose modern themes and ideas into the framework of the ancient Indian epics?

Before we get to the discussion of flying craft, there are a few things we must look at first with regard to the exact meaning of what a “vimana” is, in order to better unravel why I feel there may be misinterpretation associated with their presence in literature. One thing that we must take into consideration is that “vimana” is a word used to describe a number of things in a variety of different contexts throughout the Vedas. For instance, vimana can translate to mean the innermost sanctuary of a Rama temple (sometimes called an “adytum,” though this word actually has its origins in the Greek, rather than the Sanskrit). A variety of different temples, palaces, shrines, towers, and other structures associated with kings, emperors and divinity were also called “vimanas” in the Vedas, roughly translated to mean “a god’s palace.”

Some scholars assert that from this interpretation of the word, references in the Ramayana to Ravana’s flying palace “Pushpaka” may lend credence to the idea that a vimana is some kind of “floating palace.” From a modern perspective, we might also take this to mean a “flying vehicle,” too… after all, we can’t think of many buildings that float; on the other hand, plenty of different kinds of flying vehicles that exist in modern times come immediately to mind (though interestingly, some of our own modern flying warplanes have been called “fortresses” at various times, too).

The expression “Chariots of the Gods,” popularized by Erich von Daniken, also stems from the Vedas too, in reference to some of the vimana craft described variously as flying carts, seats, or thrones. But again, many of these same descriptions often described the vimanas in question as resembling various kinds of abodes, buildings, palaces, or towers. Some of these were understood to be capable of flying or hovering, and in modern times, their presence has been interpreted by some ancient astronaut proponents as evidence of “space stations” and similar “flying fortresses” that existed in ancient times. While we can’t rule anything out, this may indeed represent a bit of a hypothetical leap to be made; furthermore, here again the modern bias with regard to this interpretation seems rather obvious.

There are still other meanings of the word vimana, however, that should be taken into consideration. In the Vimanavatthu, a token prayer or text used as the inspiration for a Buddhist sermon was once referred to also as a “vimana.” Futhermore, some “vimana” references dealt merely with scientific methods of making precise measurements, as well as a more general meaning that involved medicines used to treat various ailments. But no less, the link between vimanas and aircraft remains a tenet even in the modern Indian languages (sometimes used literally as a term meaning “aircraft”). Vimanapura is also an Indian word synonymous with the Bangalore HAL Airport. What this shows is that, yes, vimana means “flying vehicle,” and certainly, many references within the vedas refer to such things.

But if it is clear that vimanas are indeed mentioned in the ancient Sanskrit texts, and that this term was used, at least on occasion, to describe flying objects, then where is the so-called “controversy” regarding vimanas? In truth, where I think our modern interpretation of such things becomes misleading is when we take “vimana” to mean anything more specific than merely an “ancient flying machine.” In other words, to assert that they were a technological device using highly advanced, anti-gravitic science and engineering that may have involved mercuric engines, etc, is something that, based on my own research, likely stems from constructions or misinterpretations from the earlier part of the last century. The same may not be said entirely of the vimanas themselves however, as one cannot refute their presence in the ancient texts, at least by virtue of their frequent mention, and various descriptions.

And in truth, much of this modern idea of the inner mechanics of vimanas stems from a single manuscript, authored around 1920, called the Vaimanika Shastra. This work is based entirely on information allegedly channeled by the author, Pandit Subbaraya Shastry, and the information contained within has been chalked up by most aeronautics experts in modern times as being pure rubbish, to put it nicely. To illustrate this, the following statement by the late John B. Hare of the Internet Sacred Text Archive discusses the shortcomings in people’s interpretation of the Vaimanika Shastra’s content over the years:

The Vymanika Shastra was first committed to writing between 1918 and 1923, and nobody is claiming that it came from some mysterious antique manuscript. The fact is, there are no manuscripts of this text prior to 1918, and nobody is claiming that there are. So on one level, this is not a hoax. You just have to buy into the assumption that ‘channeling’ works. … there is no exposition of the theory of aviation (let alone antigravity). In plain terms, the VS never directly explains how Vimanas get up in the air. The text is top-heavy with long lists of often bizarre ingredients used to construct various subsystems. … There is nothing here which Jules Verne couldn’t have dreamed up, no mention of exotic elements or advanced construction techniques. The 1923 technical illustration based on the text … are absurdly un-aerodynamic. They look like brutalist wedding cakes, with minarets, huge ornithopter wings and dinky propellers. In other words, they look like typical early 20th century fantasy flying machines with an Indian twist.

Thus, in the absence of much of a justifiable link between the ancient flying vimanas and modern avionics (or even anti-gravitics), we are left to attempt to decipher by peering through the proverbial mists of time as to what, exactly, these “vimanas” actually were. Were there mechanical flying ships buzzing around in ancient India, or were these the chariots of the proverbial gods (or aliens)? Or, just perhaps, could some of our own understanding of the vimana mystery even stem from fanciful elaborations of these myths and legends, filtered through cultural windows that project the world of today onto mysteries of the past?

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  • http://dailygrail.com/ Red Pill Junkie

    Well, obviously John B. Hare seems to have been deeply skeptic of ‘channeling’ as a method to obtain information external to the recipient’s mind. I for one think that ‘channeling’ is an imperfect method, since the information necessarily has to be filtered through the recipient’s own mind.

    In the end whether the DIY Vimana construction offered in the text is pure horse manure or not is beside the point. What’s interesting is that time and time again we see that ancient traditions depicted the gods as needing some sort of device or chariot that transported them between the earth and their heavenly abode. Why couldn’t the ancients have simply ‘imagine’ their gods as all-powerful and capable of flying or materializing at will like many of our own modern superbeings (e.g. Superman, Green Lantern)?

  • John Dee

    Channeling = Making things up. No more, lo less.

  • Tanvir

    I would like to talk to the author of this document if possible.

  • Dan

    Recently I found a very interesting book on similar theme – titled “The Guardians of Karma”

  • Pranesh Vijay

    yes in reading part of the book and being indian myself the descriptions of how to make/yeild some of the components ie take the eyes of an eagle the toenails of this the blood of that sound like witch craft vooduu fukn magic witch is rife in indian culture so dosent suprise and ps dont read mahabarratta from start to end read it skipping chapters its well know the book if read start end will put bad luck and split family and your household will all ways be arguing just like the story mahabarratta

  • Pranesh Vijay

    hey lol on a serious note you do actaully need horse shit in one instuctable to yeild a powerful weapon mirror